Update with The Fixer is that a full assembly of the film was sent to music supervisor Henry L. Self in Los Angeles.  I viewed the assembly, and there are some rough spots to smooth out.  Though, I've done a few insert shots on my own to resolve those issues.  Just the fact of how breezy the film is, even at 100 minutes long.  So, I'm trying to slow down the pacing in a few spots with extra transition shots that also add insight into the characters of Vic Simmons and Luther Resnick.  Composer Rich Halling is soon to have all his equipment set back up in his new home, and so, we should be getting back to work in July.  Once the film is ready for release, a final trailer will be released as a punctuation mark on the entire promotional campaign (as if the other four trailers haven't been enough).

The only other thing that's maybe on the horizon is the dark comedy Past Due, but it's still in the scripting stage.  I don't know what the third act is even gonna consist of, specifically, yet.  Just depends on how far out I want the dark humor to go, and how long I want the script to be from here on out.  Just know that it's already a lot longer than I originally intended, just like The Fixer, but again, with every production and every shoot day, I learn something more to better serve the next project.  So, preparation will be key in every and any film project I move forward with, and having a full, talented crew is a definite, invaluable asset.